The painting above of a vase and a mango is one of my most recent. It's a small portion of a much larger set up. We went through a lot of mangoes before we finally finished. That's one of the problems with painting directly from life - fresh fruit, veggies and flowers soon spoil.When I get stuck with my writing, I find it therapeutic to paint. Painting allows me to turn off those voices in my brain for a while - the voices of my characters nagging me to please do something, anything to help them out of the predicaments I left them in. Take my character, Lottie, for instance. Ever since I left her as a mouse in a tool shed, she's been pleading with me to turn her back into a human. Her fate is in my hands, after all. I'm thinking about it. It's just that my other characters have also been nagging me to get on with their stories. A little at a time, guys. I do have a day job you know.
Sometimes, despite my best intentions, the words don't flow from me like water from a spigot. Or I get stuck and need to step away from plot lines and characters for a while so I can take a fresh look at everything later. Then I turn to painting or drawing. In addition, every Saturday I take an oil painting class out in Riverhead with Robert Armetta - a wonderful painter and teacher. He looks more like a boxer than an artist but those 3-5 hours I spend painting in the studio every week are, for the most part, an oasis of quiet and relaxation. Even if my painting doesn't always turn out the way I want, I learn something in the process. After a few hours of painting or drawing I feel better prepared to take on the world of my characters and their dilemmas.
