I've never been a big mystery fan, preferring instead to read fantasy, contemporary and historical fiction. However, this doesn't mean that I don't recognize the advantage of borrowing some techniques from mystery writers when it comes to plotting. I recently finished reading two wonderful but very different novels - Graceling, by Kristin Cashore, and So B. It, by Sarah Weeks. The former is a young adult fantasy about a young female warrior named Katsa with an extraordinary talent or "grace" for killing, the second a middle grade novel about twelve year old Heidi, living with her mentally impaired mother in Reno, and her desire to learn something about her muddled past.
Although the two novels have little in common, except that they're both well crafted, beautifully written, engrossing reads, they share one common bond; in both books the authors create an air of mystery that keeps the reader turning the page.
In Graceling, Cashore leads the reader into her novel by immediately setting up an enigma. Who kidnapped harmless Prince Tealeaf and why? What could anybody possibly want from the father of the most peace loving king in the land? Soon, Cashore introduces yet another mystery; who is the handsome, graced fighter who confronts Katsa in the courtyard? Yet a third mystery concerns neighboring King Leck and the mystery surrounding him and the apparent abuse of small animals and young girls. Little by little, over the course of the novel, the missing pieces fall into place until we have a complete picture and each of the mysteries is solved. Cashore's writing is vivid, her characters well drawn but the mysteries she establishes early in her book are what pull the reader along to the end.
In So B. It, Sarah Weeks also sets up several mysteries. Heidi is 12 years old but because her mother is mentally disabled and only has a vocabulary of 23 words, there are gaping holes in her life and family history. For instance, what is Heidi's last name? When is her birthday? Who is her father? Her grandmother and grandfather? Where did she come from? Then there is her mother's word, "soof". What does it mean? One day while organizing a closet, Heidi comes across a camera containing a roll of film. When she has the roll developed, she finds pictures of her mother with other people. Could the woman standing next to her mother be her grandmother? Are any of the other people in the photos her family? Maybe they can help her fill in the missing holes. The only clue Heidi has is the pictures were taken in a group home in Liberty, New York. So, off sets Heidi in search of the missing pieces of her life and the meaning of the word "soof". Slowly, over the course of the novel, Weeks reveals the answers to the mysteries she established in the early part of her story. To ensure the reader keeps turning the page, she saves the most compelling information for last. The ending brought both a few tears and a sense of satisfaction to a well-crafted novel with believable characters.
You don't need to be a "mystery writer" to create intrigue and suspense and compel the reader through to the end, but certainly as writers we each have something to gain by weaving a little mystery into our stories and novels.
